I recently wrote a new textbook called
Computer Vision for Visual Effects
, which was published by Cambridge University Press in Fall 2012. The book describes classical computer vision algorithms used on a regular basis in Hollywood (such as blue-screen matting, structure from motion, optical flow, and feature tracking) and exciting recent developments that form the basis for future effects (such as natural image matting, multi-image compositing, image retargeting, and view synthesis). It also discusses the technologies behind motion capture and three-dimensional data acquisition. More than 200 original images demonstrating principles, algorithms, and results, along with in-depth interviews with Hollywood visual effects artists, tie the mathematical concepts to real-world filmmaking.
Check it out!